In
India speech and everything it conveyed was considered to be highly sacred, a
goddess indeed. So naturally India has a
long history of storytelling. The oral tradition in India was and is a
powerful, creative force that expresses the mysteries and miracles of
existence, the assorted peculiarities of what it means to be alive. Stories
help communities grasp and express in words the true nature of being.
Every
generation in India for the past 4000 years has been adding to the country’s
retentive folk memory. Storytelling has helped preserve ancient aesthetic and
cultural artefacts which are intangible in nature. All over India, varied
storytelling traditions and styles existed in different languages. Indian
storytelling traditions have a symbiotic relationship with the philosophical,
sculptural, music, dance and literature traditions of the regions they
originate from.
Randy Kloetzli and Alf Hiltebeitel say,
'For a combination of antiquity, volume, and ingenuity, there is nothing like
it - so much so that folklorist Theodor Benfry could imagine India as the 'home
of storytelling and of tale-types''.
Much that is formative in these oceanic
storytelling traditions is anchored in the Mahabharata and the Ramayana, the
two Sanskrit epics.'
The form and content of most Indian
performing art traditions reflect the beliefs and philosophical and spiritual
beliefs of their performers. Stories told by tellers in India are often
extracted from mythologies, folktales, vedic legends and puranic legends, as
well as from the two epics or Itihasas – the Ramayana and the Mahabharata. Storytelling
performances were and are still held in temples, weddings and in social
gatherings.
Traditionally
storytelling has played an important role in education and it was used both to
explain abstract philosophical concepts as well as very practical statecraft,
administrative and political science or Raja Niti.
Again,
ethics play an important role in storytelling traditions. The purpose of
storytelling is often to expound on morality or dharma, to help audiences
distinguish between righteous and unrighteous action. Storytelling has served a
social purpose, acting as a medium wherein various difficult social issues such
AIDS, dowry etc are presented; hence storytelling almost always reflects social
reality and often seeks to improve it.
The bhakti or devotional movement
helped spread regional variants of puranic legends among the vernacular languages
and to communities who did not have access to such stories. 1850-1950 was the
golden age of storytelling India wherein storytelling developed in vernacular
languages in the various regions all over the country.
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