In a strange tale that is unique to the Oriya Mahabharata, Krishna decides to play a trick on Arjuna while he is in the forest. He approaches him in the form of a monster, the Nabagunjara, a creature that is a composite of nine animals - serpent, horse, bull, tiger, elephant, horse, peacock, rooster and man. Instead of getting frightened, Arjuna sees the lotus flower in the human  hand of the creature and recognises Krishna. - Dr Devdutt Pattanaik in Jaya, An illustrated retelling of the Mahabharata.

While tracing the contours of the philosophical ideas of a Vedic seer, it is to be borne in mind that these ideas are the products not so much of reasoning as of seeing. Reasoning here only follows seeing. This is the common feature of almost all the ideas put forth by the Vedic seers who are seers, rsis first and thinkers only next. It is little truer of Dirghatamas whose life history hinges on the problem of how he happened to see. – The philosophy of Dirghatamas by Satya Prakash Singh

Myths are things which never happened but always are. - Sallust

“A classic is a book that has never finished saying what it has to say.” -
Italo Calvino

Hanuman - An Introduction

In a caste-ridden society like India, the affection of the high born prince Rama for a lowly but devoted monkey fired the imagination of people...

Hanuman's 'monkeyness' ensures that his awesome power does not intimidate. He is earthy and tangible not ethereal or transcendent. Through him, the divine comes within reach. Hence, the popular North Indian saying: first Hanuman, then God, pahle Hanuman, phir Bhagvan.

- From Hanuman - An Introduction by Dr Devdutt Pattanaik.

It would be difficult to overstate the significance of performance in Bharat, that ancient civilization now known as India. Performance infuses the culture still, as is apparent from from its innumerable forms of music and dance, its active celebration of festivals, and its engagement with images and icons, both on the altars and in the streets. All forms of performance are not created equal in this or any culture,but its centrality in Indian life cannot be challenged. - Susan L Schwartz in Rasa - Performing the divine in India.